This is a tintable glaze or base for use in creating antique, graining or faux finishes. It can be tinted with any universal colorants or oil-based. As a wood stain, Tinting Glaze can be tinted with universal colorants or intermixed with solvent-based stains to create custom colors.
Where to Use
Tinting Glaze can be used to create antique, graining or faux finishes. This product provides a wide choice of decorating effects when applied over satin or eggshell enameled surfaces including furniture, trim or walls.
All surfaces must be clean, dry and free from dirt, wax, grease, glue and other contaminants. Surface defects should be repaired with appropriate patching material.
Stir well before use. For projects requiring more than one container, stir well and intermix both containers to avoid color variance.
Application on Bare Wood (used as a stain): Tinting Glaze can be tinted and used as an interior wiping stain. After tinting or intermixing, apply with a clean cloth or brush. Allow it to penetrate 2 to 3 minutes. Before the surface has dried, wipe off excess. Allow the surface to dry overnight and apply one or two coats of clear finish.
Application over Painted Surfaces (used as a glaze): Ensure painted basecoat is thoroughly dry. After tinting, apply the Tinting Glaze thinly over one section at a time using a clean cloth, sponge or brush. Experiment with various methods of application to achieve the desired effect. To create an antique look, wipe off glaze lightly with a clean cloth, leaving a thin film on the surface and a heavier film in low spots and corners. If the glaze begins to set, add a little mineral spirits to the wiping cloth. For a faux finish, generously dab glaze with a sponge to simulate a marbleized effect. Realistic woodgrain patterns can be created by applying the glaze in conjunction with the Old Masters Wood Graining Tool. To enhance the beauty and wearing qualities, apply one or two coats of a clear finish. Do not topcoat with lacquer.
Do not thin. Use as packaged.
Approximately 500 square feet per gallon but will vary depending on use and condition of wood.
Approximately 3 to 6 hours, depending on humidity, temperature and use of product (as a stain or glaze). It can be topcoated after 12 hours if glaze is thoroughly dry.
Using a cleaning solvent, such as paint thinner or mineral spirits, is recommended for cleanup. The use of paint thinners or mineral spirits may violate VOC compliancy in your area. Check with your local government agencies to ensure proper compliancy.
To avoid spontaneous combustion during temporary storage, soak soiled rags and waste immediately after use in a water-filled, closed metal container.
Recommended Finish Coat:
We recommend Old Masters® clear finishes. However, this stain can be topcoated with most clears. We do not recommend a lacquer-type finish coat over glazing applications.
MAX VOC: 550 grams/liter (4.6 lbs/gal)
Old Masters® offers a wide variety of products and tools used to create unique faux finishes. Below is a brief overview of these techniques and various products and tools needed to complete each faux finish.
Old Masters® offers a complete wood graining system. Create beautiful and unique wood grained finishes on steel doors and other smooth surfaces using Old Masters® Wiping or Gel Stain, Graining Base and Wood Graining Tool. A detailed instruction booklet (Wood Graining Made Easy) is available here.
Antiquing is a common technique used to give painted or stained wood work an aged look. We suggest accomplishing the antiqued look by using Old Masters Wiping Stain over top of your chosen paint color. After applying a coat of Wiping Stain, wipe the center of the work area clean and build stain gradually to the edges. No abrupt changes from light to dark areas should remain to complete the motif.
Marbling is a common faux finish used in painting, but it can also create a very interesting effect with wood stains on wood surfaces. Start by applying a coat of Old Masters® Wiping Stain in a color of your choosing to any painted or stained surface. Create the look of marble by crumpling a dry, clean plastic bag. Next, open the bag and lay it on top of the wet stain, pressing the wrinkles into the stain. Create much more intense variations by using other objects such as: sponges, rags, or carpet in combination with two or more stain colors.
Distressing may seem similar to antiquing, but antiquing makes a piece look old, whereas distressing makes a piece look worn. Creating a distressed look can be accomplished by applying burn marks, nail heads, intentional dents or scratches and other similar attempts at marring the surface. Applying a stain before this distressing will allow the original wood to show through the stain; applying the stain after the distressing will pool in the marrings and create dark blemishes. Wiping Stain is a great option for enhancing the marred surface of your project. Add a splatter effect by dipping an old toothbrush in Wiping Stain and flinging it onto the project.